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When we think about delay, we tend to focus on audio echoes. The new Players are, in effect, MIDI plug-ins. Along with the accidental discovery of melody, you get a more deliberate four-note step sequencer thread the two together, and there’s plenty of scope for melodic lines of chaos. The last neat function is the Repeat switch, which plays every note twice at the set rate, effectively doubling the length of the arpeggio.Īll in all, I don’t think I’ve come across a more fully featured arpeggiator. The two arps can be run in parallel, but they can also be split by input range. Switching the Pattern to ‘on’ lets you draw in a pattern for the four played notes, creating melody lines and also chords, while the Velocity switch flips between ‘as played’ or ‘as written’. In the grid you can specify the number of steps, the pattern for your four notes, and their velocity, and these parameters can be turned on or off separately for instance, turning the Steps parameter on lets you define the number of steps, but if you switch this off, the number of steps would be dictated by the number of notes played. It has all the regular rate, octave and direction options, but over in the grid, things get a bit more interesting.
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Each arp can also be up to four-note polyphonic. The RPG8 thus has the ability to be patched into all sorts of places, whereas the Dual Arpeggiator is focused on the instrument at hand.Īs the name suggests, the Dual Arpeggiator can have two independent arps going at once, which can create some nice polyrhythms. As I mentioned, the new Players have no patching, whereas the back of the RPG8 is festooned with all sorts of sockets.
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The RPG8 Monophonic Arpeggiator has been part of Reason since version 4, so why introduce a new one, and why keep the old one? The answer may be to do with simplicity. It seems extraordinary that Reason hasn’t had one up until now - except, of course, it has. There’s nothing particularly exciting about arpeggiators, other than them being the most fun part of any synth.
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This sort of behaviour very much defies the Reason way of doing things, but makes it very quick and easy to drop them in and get playing. They are also a little bit narrower, and so don’t give the illusion of being screwed into the virtual rack. Instead, they slot themselves into the top of the instrument they are playing. A large part of the appeal could be the very anti-Reason fact that they don’t require, or indeed support, patching: on the back of the rack, they are completely blank. All are relatively simple devices, but there’s something about the way they are designed that makes them feel really creative. There are three Players: Dual Arpeggiator, Note Echo and Scales & Chords. They take in MIDI data from your keyboard or the sequencer, and add to or modify those note events. They are, in essence, MIDI plug-ins, the likes of which are found in most DAWs. I’m not sure that the name Players describes the new category of Reason device very well. So before I decide exactly how whelmed I am with this new update, I need to put my desire for new synths aside and spend some time making music with what it has. They have also enabled a degree of choice about the look and feel of the program, thanks to the new Blue and Dark Themes. They have introduced a whole new category of device in Reason 9’s ‘Players’ they have integrated pitch correction into the sequencer, and they have provided some interesting MIDI-to-audio and audio-to-MIDI features. Instead, Propellerhead have given us the unexpected. In fact, the last new Reason instrument was the dull but useful ID8, back in Reason 6 - and Thor was released nearly 10 years ago. When looking at what was new in Reason 9 I found, again, that there were no new instruments. There were the browser enhancements, which were improved and consolidated in incremental updates but there were no new synths, or anything creative to get excited about. I remember being underwhelmed with the version 8 upgrade: all the new stuff was good, it was just a bit thin on the ground for the price of the upgrade. However, I didn’t start off believing that. I think Reason 9 is starting to pull together a more serious range of features.
#Propellerhead reason 9.5 price professional#
To some it’s a professional music-making workstation, but to others it’s more of a sonic playground: fun, but not for serious work.
#Propellerhead reason 9.5 price update#
Propellerhead’s latest Reason update adds features you never knew you wanted - but which you might find indispensible.Įveryone seems to appreciate Reason in one fashion or another, but it does split opinion. The new Blue (centre) and Dark (top) Themes add a surprising amount of gravitas to Reason.